Snyder Than You

Why I am, who I think, maybe how I'm at, sometimes when, and possibly a vague what.
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cornerstoneguide:

“The “DONATE NOW” campaign which has adorned all of our literature for 10 months has garnered about 10% of the goal we needed by last New Year’s to secure the fest’s future. We took that as a sign.” [x]

Let’s show another sign. DONATE TODAY.

cornerstoneguide:

From Cornerstone Festival, via email:

A SPECIAL ANNOUNCEMENT FROM CORNERSTONE FESTIVAL

May 15, 2012

Dear Cornerstone Festival Family:

We are so grateful to have been able to share with you the gift that has been Cornerstone Festival all these years. Our annual gathering in this truly…

Very sad to hear this. I only got to one full Cornerstone, but have followed JPUSA since 1990, when a colleague introduced me to their amazing magazine.

I am thankful that that one Cornerstone was 1998, with Over the Rhine and a tribute to Rich Mullins. My wife, 8-month-old son, and I made it (thanks in part to horrible directions by Mapquest, to the last two songs of Steve Taylor’s set in 2003. i still wish I would have had the opportunity to see The Canticle of the Plains performed. And 77s. And. And. And….

Maybe they’ll put out an anthology or a website full of videos and bootlegs from all these years of being the best “Christian” music festival on the planet. (I can hope, right?)

And this is how I find out they had a Tumblr? So sad.

thedailywhat:

Fun Fact of the Day: And by “fun” I mean STOP SOPA.
[@skulled / pleatedjeans.]

thedailywhat:

Fun Fact of the Day: And by “fun” I mean STOP SOPA.

[@skulledpleatedjeans.]

thedailywhat:

This Is All Kinds Of Wrong of the Day: Last year, as part of Operation In Our Sites — a joint initiative by the Department of Justice and Homeland Security’s office of Immigration and Customs Enforcement (ICE) to ostensibly seize the domains of websites hosting copyright infringing material — the popular hip hop music blog Dajaz1.com was taken offline for allegedly posting pirated music.
One small hitch though: The songs ICE claimed were illegally obtained were actually sent to Dajaz1 by the artists and labels that produced the tracks.
The site’s owner, a Queens man who goes by “Splash,” sent the New York Times proof that he was being repeatedly solicited by record label execs and third-party marketers who sought to have their clients’ music posted on the site. “It’s not my fault if someone at a record label is sending me the song,” he said.
Indeed, the government eventually backed down from its claim, and returned the domain to its rightful owner, but not before an entire year had passed, and the value of the site decreased dramatically.
Ross Feinstein, a spokesman for ICE, refused to elaborate on what took so long, beyond telling Ars Technica that “the government concluded that the appropriate and just result was to decline to pursue judicial forfeiture.”
Splash’s attorney, Andrew Bridges, recounted to Techdirt how the government was able to hold onto the site indefinitely by claiming it had received extensions on the window during which it is required to proceed with the forfeiture process or else return the domain.
When he asked to review the extensions he was told they were sealed and could not be released.
An RIAA rep doesn’t think much of what Splash was subjected to, as it still believes the site trafficked in pre-release copies not authorized for commercial distribution.
While Dajaz1 did on occasion make certain songs available for download which it was not explicitly authorized to post, it complied immediately with take-down requests, according to Bridges. Also, as Techdirt points out, the songs used by ICE in the affidavit which allowed it to seize the site in the first place were legally posted after being supplied to Splash by the labels themselves.
“[I]f the RIAA takes the position that none of this music came from music industry reps, by that I mean label reps or artist reps, then that has more to do with the RIAA awareness of what’s going on in its own industry,” said Bridges.
At the crux of this cautionary tale is the fact that ICE was allowed to seize the site’s domain without due process thanks to the PRO-IP Act of 2008.
Legislation to expand ICE’s authority to indefinitely detain domains it suspects of conducting criminal activity is currently making its way through both houses of Congress.
As the Dajaz1 case clearly illustrates, giving the government even more power to censor any site it pleases for as long as it pleases without any concern for Constitutional amendments being trampled in the process is probably, to say the least, not a very good idea.
[techdirt / ars.]

thedailywhat:

This Is All Kinds Of Wrong of the Day: Last year, as part of Operation In Our Sites — a joint initiative by the Department of Justice and Homeland Security’s office of Immigration and Customs Enforcement (ICE) to ostensibly seize the domains of websites hosting copyright infringing material — the popular hip hop music blog Dajaz1.com was taken offline for allegedly posting pirated music.

One small hitch though: The songs ICE claimed were illegally obtained were actually sent to Dajaz1 by the artists and labels that produced the tracks.

The site’s owner, a Queens man who goes by “Splash,” sent the New York Times proof that he was being repeatedly solicited by record label execs and third-party marketers who sought to have their clients’ music posted on the site. “It’s not my fault if someone at a record label is sending me the song,” he said.

Indeed, the government eventually backed down from its claim, and returned the domain to its rightful owner, but not before an entire year had passed, and the value of the site decreased dramatically.

Ross Feinstein, a spokesman for ICE, refused to elaborate on what took so long, beyond telling Ars Technica that “the government concluded that the appropriate and just result was to decline to pursue judicial forfeiture.”

Splash’s attorney, Andrew Bridges, recounted to Techdirt how the government was able to hold onto the site indefinitely by claiming it had received extensions on the window during which it is required to proceed with the forfeiture process or else return the domain.

When he asked to review the extensions he was told they were sealed and could not be released.

An RIAA rep doesn’t think much of what Splash was subjected to, as it still believes the site trafficked in pre-release copies not authorized for commercial distribution.

While Dajaz1 did on occasion make certain songs available for download which it was not explicitly authorized to post, it complied immediately with take-down requests, according to Bridges. Also, as Techdirt points out, the songs used by ICE in the affidavit which allowed it to seize the site in the first place were legally posted after being supplied to Splash by the labels themselves.

“[I]f the RIAA takes the position that none of this music came from music industry reps, by that I mean label reps or artist reps, then that has more to do with the RIAA awareness of what’s going on in its own industry,” said Bridges.

At the crux of this cautionary tale is the fact that ICE was allowed to seize the site’s domain without due process thanks to the PRO-IP Act of 2008.

Legislation to expand ICE’s authority to indefinitely detain domains it suspects of conducting criminal activity is currently making its way through both houses of Congress.

As the Dajaz1 case clearly illustrates, giving the government even more power to censor any site it pleases for as long as it pleases without any concern for Constitutional amendments being trampled in the process is probably, to say the least, not a very good idea.

[techdirt / ars.]

If you want to buy something special for your loved one at this time of seasonal giving, we suggest ‘Ambassador Of Jazz’ — a cute little imitation suitcase containing ten re-mastered albums by one of the most beautiful and loving revolutionaries who ever lived — Louis Armstrong.

The box should be available for under one hundred and fifty American dollars and includes a number of other tricks and treats.

Frankly the music is vastly superior.

Thanks to a public post on Facebook.

6 plays [Flash 9 is required to listen to audio.]
A Ragamuffin Band,
The Jesus Record

You who live in heaven
Hear the prayers of those of us who live on earth
Who are afraid of being left by those we love
And who get hardened by the hurt

Do you remember when You lived down here where we all scrape
To find the faith to ask for daily bread
Did You forget about us after You had flown away
Well I memorized every word You said

Still I’m so scared, I’m holding my breath
While You’re up there just playing hard to get

You who live in radiance
Hear the prayers of those of us who live in skin
We have a love that’s not as patient as Yours was
Still we do love now and then

Did You ever know loneliness
Did You ever know need
Do You remember just how long a night can get?
When You were barely holding on
And Your friends fall asleep
And don’t see the blood that’s running in Your sweat

Will those who mourn be left uncomforted
While You’re up there just playing hard to get?

And I know you bore our sorrows
And I know you feel our pain
And I know it would not hurt any less
Even if it could be explained

And I know that I am only lashing out
At the One who loves me most
And after I figured this, somehow
All I really need to know

Is if You who live in eternity
Hear the prayers of those of us who live in time
We can’t see what’s ahead
And we can not get free of what we’ve left behind
I’m reeling from these voices that keep screaming in my ears
All the words of shame and doubt, blame and regret

I can’t see how You’re leading me unless You’ve led me here
Where I’m lost enough to let myself be led
And so You’ve been here all along I guess
It’s just Your ways and You are just plain hard to get

— Rich Mullins
Psalm 77:7-13, Isaiah 53:4, Isaiah 55:8-9
Matthew 5:4, Matthew 6:11, Luke 22:41-45
Romans 7:18-19, Romans 7:24-25

0 plays [Flash 9 is required to listen to audio.]
tobyMac,
Re:Mix Momentum

I listened to the original version of this 10-year-old song earlier today. The title is so appropriate, it seems.

Kirk Franklin - Imagine Me (via gospelcity)